Theology and Film

Challenging the Sacred/Secular Divide

CHRISTOPHER DEACY & GAYE ORTIZ
University of Kent; Augusta State University, Georgia

Welcome to the accompanying website for Theology and Film. Full information about the book, including how to order an exam copy, is available here

You will find below a series of links to websites referred to in the book.

The authors also welcome your suggestions for useful websites. Whether you are a lecturer or a student, if you have a suggestion for a site or further resources that should be included here, please email your ideas to theologyandfilm@blackwellpublishing.com.

Websites of authors:

Christopher Deacy:
www.kent.ac.uk/secl/thrs/staff/deacy.htm
Gaye Ortiz:
www.aug.edu/communications/pages/ortizbio.html

Websites used in Theology and Film

Jump to:
Chapter 1, 3, 4, 5, 6, 7, 8

topChapter 1

Theology and Film

• What is the most suitable method by which theologians should attempt to engage with film? Must a film be exclusively religious in intention, content and form in order to comprise a site of theological activity? Or should films that challenge and subvert, rather than illustrate or bear witness to, theological paradigms be given serious critical attention? How fluid are the boundaries between the sacred and the secular, theology and culture? Can a film challenge our reading of theology as much as theology can be used to challenge our reading of films?

P10: Taylor, 1996, http://christiananswers.net/eden/purpose.html
P10: Downs, 1999, www.christiananswers.net/spotlight/movies/pre2000/theomegacode.html
P11: Willis, 2004, http://christiananswers.net/spotlight/movies/2004/thepassionofthechrist.html
P11: Kozlovic, 2004, www.usask.ca/relst/jrpc/art8-cinematicchrist.html
P23: BBC News, 2005, http://news.bbc.co.uk/1/hi/entertainment/film/4365999.stm
P24: Soencksen, 2006, www.christiananswers.net/spotlight/movies/2006/rv2006.html
P25: Medved, 2006a, www.michaelmedved.com/pg/jsp/eot/review.jsp?pid=2925
P25: Medved, 2006b, www.michaelmedved.com/pg/jsp/eot/review.jsp?pid=2865
P27: McEver, 1998, www.unomaha.edu/jrf/McEverMessiah.htm
P33: Arendt, 2006, www.bbc.co.uk/films/2006/05/16/poseidon_2006_review.shtml
P34: French, 2006, http://film.guardian.co.uk/News_Story/Critic_Review/Observer_review/0,,1789840,00.html
P57: Rettig, 1998, www.christiananswers.net/spotlight/movies/pre2000/i-pleasantville.html
P61: Rose, 2005, http://film.guardian.co.uk/News_Story/Critic_Review/Guardian_review/0,,1487760,00.html
P61: Papamichael, 2005, www.bbc.co.uk/films/2005/09/21/what_the_bleep_2005_dvd_review.shtml
P61: Stein, 2005, www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2004/07/23/DDG257QTL41.DTL#what
P62: GOD TV, http://www.god.tv
P63: BBC News, 1999b, http://news.bbc.co.uk/1/hi/entertainment/558321.stm
P63: BBC News, 1999c, http://news.bbc.co.uk/1/hi/entertainment/562955.stm
P64: BBC News, 1999a, http://news.bbc.co.uk/1/hi/entertainment/503675.stm
P64: www.god.tv/partner/UK/businessangel.aspx

 

topChapter 3

Woman as Spectacle: Theological Perspectives on Women and Film

• Have contemporary female characters in films transcended or simply confirmed sexism in society? What are the ramifications of gender identity and a culturally inscribed objectifying portrayal of women for the pursuit of theology? Can any parallels be drawn between feminist critiques of theology and that of the film industry? How do (to cite one specific example) Iranian filmmakers address the limitations imposed upon the representation of women in film as well as the religious values within which they operate?

P100: Hinton, 2002, www.crosscurrents.org/Ruetherspring2002.htm
P107: Lay, 2004, www.qantara.de/webcom/show_article.php/_c-310/_nr-101/_p-1/i.html
P110: Makhmalbaf Film House, n.d., www.makhmalbaf.com/articles.php?a=335
P112: Lauzen, 2006, www.moviesbywomen.com/marthalauzenphd/stats2005.html
P112n: Frederick, n.d., http://home.comcast.net/~theennead/bean/conclusion.htm
P112n: Schulman, 2004, www.goddard.edu/about/inaug.html
P113n: Submission Part I can be viewed at http://www.ifilm.com/video/2664111

 

topChapter 4

The Green Screen: Theological Perspectives on the Environment and Film

• In the light of creation care ethics, to what extent are environmental films capable of warning us of the dangers that humanity faces when it ignores the power of nature or subverts the natural world for its own convenience and financial gain? Are such pictures a sign of the times, able to prompt the film industry to assume the (perhaps unwilling) role of prophet?

P115: Ebert, 2006, http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20060601/REVIEWS/60517002/1023
P116: Mahon, 1996, www.caw.ca/whatwedo/health&safety/newsletter/4.8.aug96.asp#xtocid110768
P116: National Resources Defense Council, 1997, www.nrdc.org/health/pesticides/hcarson.asp
P116: Adam, 2006, http://environment.guardian.co.uk/climatechange/story/0,,1958602,00.html
P116: Casselman, 2006, www.seedmagazine.com/news/2006/10/climate_changing_scifi.php
P117: Bertrand, 2005, www.latrobe.edu.au/screeningthepast/reviews/rev_18/IB2br18a.html
P117: Henderson, 2006, www.grist.org/advice/books/2006/03/15/henderson
P118: Park, 2006, www.carnegiecouncil.org/viewMedia.php/prmID/5043
P118: Ebert, 1979a, http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19790101/REVIEWS/901010309/1023
P118: NASA Facts, 1997, http://spaceflight.nasa.gov/spacenews/factsheets/pdfs/history.pdf
P118: Gu, 1994, www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&list_uids=12319286&dopt=Abstract
P119: Alexander, 1999, www.bizjournals.com/albany/stories/1999/09/06/smallb2.html?t=printable
P119: Chadwick, 2005, www.emagazine.com/view/?2861

 

topChapter 5

A Time to Kill? Theological Perspectives on Violence and Film

• Can violence be redemptive? Are there grounds for interpreting violence not merely as a destructive and disruptive force, but as something potentially efficacious and even liberating? If so, where does this lead those conservative media critics for whom there is a disjuncture between the ostensibly peaceful values of Christianity and the alleged glorification of violence in TV and films? In light of the controversy surrounding The Passion of the Christ (Mel Gibson, 2004), can one condemn violence in one context but condone it in the other?

P126: Ebert, 1994, http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19941014/REVIEWS/410140304/1023
P126: Ebert, 2001, http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20010610/REVIEWS08/106100301/1023
P126: Reinhartz, 1999, www.unomaha.edu/jrf/scripture.htm
P127: Brooke, n.d., www.imdb.com/name/nm0000247/bio
P128: Puig, 2004, www.usatoday.com/life/movies/reviews/2004-02-24-passion_x.htm
P128: Wilmington, 2004, http://metromix.chicagotribune.com/movies/mmx-040225-movies-review-mw-thepassionofthechrist,1,1280116.story
P128: Quinn, 2004, http://enjoyment.independent.co.uk/film/reviews/article66016.ece
P129: Greenville Advocate, 2001, www.greenville.edu/backup/publications/news/medved321.shtml
P130: Medved, 2005, www.michaelmedved.com/site/product?pid=20002
P130: Medved, 2004a, www.christianitytoday.com/movies/commentaries/passion-prejudice.html
P130: Medved, 2004b, www.usatoday.com/news/opinion/editorials/2004-03-14-medved_x.htm
P130: Medved, 2004c, www.beliefnet.com/story/140/story_14054_1.html
P130: Medved, 2004d, www.csmonitor.com/2004/0202/p09s01-cogn.html
P130: Medved, 2004e, www.taemag.com/issues/articleid.17815/article_detail.asp
P130: Robinson, 2004, www.religioustolerance.org/chrgibson6.htm
P130: Fredriksen, 2003, www.moviecitynews.com/notepad/2003/030722b_tue.html

 

topChapter 6

The Final Verdict: Theological Perspectives on Justice and Film

• What are the compromises and limitations of justice? How is the dichotomy between earthly and heavenly justice, as expounded by St. Augustine, reflected – if at all – in ‘secular’ courtroom dramas? Is there a barrier, in cinematic depictions of the law, between the celestial and terrestrial? Does conscience have a role in justice and law-making?

 P144: Ebert, 2002, http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20020721/REVIEWS08/207210301/1023

 

topChapter 7

Dark Beauty: Theological Perspectives on War as Cinematic Mythology

• What religious baggage do we bring with us when we watch war films? In light of the recent emphasis on the ‘war on terror,’ particularly in documentary films, do films reflect a shift in the Christian ‘Just War’ tradition? How do films about war (and for that matter peace) affect the ability of theologians to respond to questions about the morality and necessity of warfare?

P163: Thompson, 2004, www.webdelsol.com/SolPix/sp-peace.htm
P164: Ekklesia, 2004, www.ekklesia.co.uk/content/news_syndication/article_041012bsh.shtml
P166: Ebert, 1979b, http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19790309/REVIEWS/903090301/1023
P167: Sony Classics, 2005, www.sonyclassics.com/whywefight/main/html
P169: Toumarkine, 2004, http://uk.rottentomatoes.com/m/1135882-uncovered_the_war_on_iraq/reviews_users_article.php?articleid=1312999
P169: Swietek, 2004, www.oneguysopinion.com/Review.php?ID=1431
P171: Brussat and Brussat, 2004, www.spiritualityandpractice.com/films/films.php?id=8568
P172: Moltmann, 1976, http://warc.ch/dt/erl2/01a.html
P177n: Niman, 2004, http://mediastudy.com/articles/av7-15-04.html
P177n: Jarrar, 2003, http://civilians.info/iraq

 

topChapter 8

Heaven, Hell and the Sweet Hereafter: Theological Perspectives on Eschatology and Film

• How have films depicted traditional eschatological ideas concerning life and death, heaven and hell? To what extent have cinematic portrayals of the afterlife tended to use earthly realities as the point of departure and visualized the transcendent through the lens of this-worldly phenomena? How does this impact upon debates in modern theology about mind-dependent worlds and the de-sacralization of the apocalypse with its emphasis on human, rather than divine, agency?

P184: Berardinelli, 2001, www.reelviews.net/movies/v/vanilla_sky.html
P186: Ostwalt, 1998, www.unomaha.edu/jrf/OstwaltC.htm
P187: Ostwalt, 2000, www.unomaha.edu/jrf/armagedd.htm
P188: Flannery-Dailey, 2000, www.unomaha.edu/jrf/Messiah.htm